We drank tea. She talked about the roads and the cold and the state of the garden. I watched her the way you watch someone you love when you have begun to suspect them of something you haven’t named yet — carefully, without wanting to be right. She did not touch the lantern. She did not mention it. But twice while I was looking away I heard the small sound of cloth shifting, the particular whisper of fabric against metal, and both times when I turned back her hands were around her mug and the lantern was exactly where I had left it, and I could not prove anything. That night she took the bedroom nearest the pantry and I lay in my grandmother’s room listening to the house settle and thinking about the fact that Elspeth had arrived one day before she was expected and had not once asked me how I was.
I lit the lantern on Thursday morning because I had stopped sleeping around four and had run out of patience with my own caution. I unwrapped it at the kitchen table while the sky outside was still the deep blue of pre-dawn, and I found the small latch on the side that I had missed before, and I filled the reservoir from the residue already inside — which had somehow increased overnight, the dark oil sitting an inch deep now where it had barely filmed the bottom the day before. I struck a match. The wick caught immediately, as though it had been waiting, and the four amber panels threw their four different tones of gold across the kitchen walls, and the room smelled suddenly of that mineral sweetness I had noticed in the house but sharper now, concentrated, and something in the quality of the light made the shadows in the corners look occupied. I did not look at the corners. I looked at the lantern. And the lantern showed me things.
Not visions — nothing so clean as that. It was more that the room became layered, that I could see the kitchen as it was and also as it had been, decades of mornings stacked beneath the present one like pages of a book held up to the light. I saw my grandmother younger, much younger, holding the lantern with both hands over a drawing chalked on the floor that I recognized as those same interlocking curves from the lantern’s body. I saw her speaking to something that stood in the corner I had been avoiding looking at. I saw her face, which was not afraid. I saw her face, which was resolved. I saw the thing in the corner, which was tall and very still and made of the same quality of darkness as the oil in the reservoir, and which turned its attention toward me across the decades with the slow, deliberate movement of something that has all the time it needs. My grandmother had made an agreement. The lantern was the terms of it. And the agreement, I understood then — not through words but through the cold certainty that moved up through the handle and into my hands — had not been completed.
Elspeth was in the kitchen doorway.
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