“Esteban.”
“I know,” he says. “I know we haven’t — there’s a lot of time to account for. I’m not pretending there isn’t.” He turns to face me, and the city light falls across his features in a way that makes him look like the version of himself I knew and also entirely new. “But I looked at this place and I thought about that Tuesday, and I thought — I should have kept in touch better. I should have said something before the thread went quiet. I kept thinking there would be more time and then there wasn’t, and I just — I didn’t want to do that again.”
The wind moves across the rooftop, warm and faintly sweet with something from the souks below — cedar, maybe, or rose.
“I kept the postcard,” I say. It comes out before I’ve decided to say it. “The one with the cat. I still have it. I moved flats four times and I kept it.”
He is quiet for a moment. Then: “There was no reason for the cat. I want you to know that. I just thought it was funny.”
“It was funny,” I say, and my voice does something I don’t entirely authorize.
—
This is what I realize, standing on a rooftop in Marrakech with the city going amber below me:
I was not afraid it would mean nothing. I was afraid it would mean everything, and I would have to admit that I’d known that for eleven years and done nothing about it. That the open question I’d carried wasn’t really a question at all. That I had been the one keeping the thread quiet — not from indifference, but from the particular cowardice of someone who would rather hold a beautiful uncertainty than risk a real answer.
The promise wasn’t just about a place. It never was.
I think I knew that on the bus stop in the rain. I think I knew it every time I almost sent a message and didn’t. I think I have known it since I walked into this courtyard two days ago and felt the fountain’s sound like something recognizing itself.
I am a structural engineer. I know what it means when a load has been distributed unevenly for too long.
—
“We kept it,” I say. “The promise. We’re here.”
“We’re here,” he agrees. He is close enough now that I can see the grey at his temples clearly, and the small line between his brows that wasn’t there at twenty-three, and the way he is looking at me like he is also doing some kind of accounting, some reckoning with the distance between then and now.
He reaches out and tucks a strand of hair behind my ear. It is a small thing. It is not a small thing.
“I have a train at nine in the morning,” he says.
“I know.”
“I could change it.”
Below us, from the courtyard, we can hear the wedding reception still going — Aunty Sushila’s voice carrying above everything else, Preethi laughing at something, Kavita’s happiness radiating outward like a signal. The fountain, steady underneath it all.
I look at him. He looks at me. The city holds its breath.
“Change it,” I say.
He smiles — slowly, like sunrise, like something that has been a long time coming — and the open question I have carried for eleven years finally, gently, closes.
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