The square looked exactly as Hakim had left it.
That was the first thing he told himself when he stepped off the ferry and walked the narrow lane up from the harbor. The whitewashed walls, the bougainvillea spilling over the archways in violent pink, the old church at the far end with its blue dome catching the last hour of afternoon light. The festival had already begun — strings of lanterns swayed between the buildings, and somewhere a bouzouki was being tuned, its notes climbing and falling like a question nobody was asking. The smell of grilling octopus drifted from a cart near the fountain. Children ran between the legs of adults who had stopped to talk. Everything was exactly as it had been.
Hakim set his bag down beside the fountain and told himself he was fine.
He had come back because his aunt had asked him to help with the taverna for the summer — that was the reason, the only reason, and it was a clean and sufficient reason. He had a life in Thessaloniki now. A small architecture practice, a flat with a view of the sea, a routine that felt, if not joyful, then at least solid. He was thirty-four years old and he had made his peace with this island the way you make your peace with a scar: not by forgetting it, but by learning not to press on it.
He pressed on it anyway.
Because standing at the far edge of the square, near the table where the women of the village had arranged their embroidered linens for the festival market, was Estelle.
She had her back to him. He recognized her the way you recognize a piece of music you haven’t heard in years — not immediately, not with the rational mind, but somewhere lower and older, a recognition that arrived before thought could intercept it. The particular set of her shoulders. The way she stood with her weight shifted to one hip, her head tilted slightly as she examined something on the table. Her hair was shorter than it used to be, cut just below her jaw, and the color of it in the low sun was the same warm dark-brown it had always been.
Hakim did not move.
Across the square, Estelle picked up a piece of embroidered cloth, turned it over in her hands, and set it down. She had been in the village for three days already — her grandmother’s house needed sorting after the old woman’s passing in the spring, and Estelle had taken two weeks off from the research institute in Lyon to come and do it. She had known, in an abstract way, that Hakim’s family still lived here. She had known, in an equally abstract way, that the festival fell during her stay. She had told herself both of these facts with great calm and concluded that they were simply facts, neither threatening nor significant.
Then she turned around and saw him standing by the fountain.
For a moment neither of them did anything. The square moved around them — a child ran past, a woman called out a greeting to someone, the bouzouki found its tuning and began to play in earnest — and the two of them stood at their respective edges of all of it, looking at each other across ten years and thirty meters of cobblestone.
Hakim raised a hand. A small, careful wave.
Estelle raised one back.
And then, because there was nothing else to do, they walked toward each other.
“I didn’t know you were coming,” she said, when they were close enough to speak without raising their voices. It wasn’t an accusation. It wasn’t quite a greeting either.
“My aunt needed help with the taverna. The summer season.” He paused. “Your grandmother’s house?”
She nodded. “There’s a lot to sort through. She kept everything.”
“I’m sorry. About her passing.”
“Thank you.”
They stood there. The fountain behind Hakim made its small, constant sound. Estelle was looking at him the way she sometimes used to look at data sets she didn’t yet have a framework for — carefully, without committing to an interpretation.
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